CURRICULUM
VITAE
of
Dr. Dale A.
Olsen
CITIZENSHIP
ADDRESS
E-MAIL dolsenmusic@gmail.com
OLSEN WEB PAGES http://www.dolsenmusic.net
MARITAL STATUS Married to M. Diane Olsen (Ph.D., Instructional Design); one son, Darin M.
BIRTH
DATE
EDUCATIONAL
TRAINING and DEGREES
1959
Diploma,
1964 B.A.
in Music (Music History and Flute),
1966 M.A.
in Music (Historical Musicology),
1973 Ph.D.
in Music (Ethnomusicology),
1981 Shihan in Japanese Kinko-ryû
shakuhachi (professional name,
Olsen Bai-ô), awarded by Iwami Baikyoku V,
EMPLOYMENT
1965-1966
Flute Instructor, MacPhail
1966-1968
Peace Corps Volunteer,
1969
Flutist, Grant
Park Symphony,
1969-1970
Assistant Professor of Flute,
1972
Teaching Fellow,
1973-1978
Assistant Professor,
1977-1989
Visiting Professor of Ethnomusicology,
Center for Latin American Studies and Center for African Studies,
1978-1983
Associate Professor,
1983-2008
Professor (Distinguished Research Professor
since 2001),
2008-present
Professor Emeritus (retired)
ADMINISTRATION
1983
National
Chairperson, Local Arrangements Committee, 28th Annual Meeting, Society
for Ethnomusicology,
1986-1987
Acting Director, Center for Black
Culture, The
1986
National
Chairperson, Program Committee, 29th Annual Meeting, College Music
Society,
1994-2007
Director, Center for Music of the
2002 and
2004 Director,
Vietnamese Summer Program,
International Programs, The
2003
National Chairperson, Local
Arrangements Committee, 48th Annual Meeting, Society for
Ethnomusicology (joint meeting CMS), Miami, Florida,
October.
2003
National Chairperson, Program
Committee, 47th Annual Meeting, The College Music Society (joint
meeting with SEM),
ADVISORY
and CONSULTING ROLES
1987,
1990
NEH (National Endowment for the
Humanities) Panel Member.
1988
FEA (
1989
Core Advisory
Board for WQED/Pittsburgh television series "The Music of
Mankind"
1989-1991
NEA (National Endowment for the Arts)
Site Reviewer,
1991-2001
Multicultural music consultant for
Silver-Burdett Inc.
GRANTS, AWARDS
and DISTINCTIONS
1972
Venezuelan
Indian Project Grant; Clifton Webb Award, UCLA (research in
1973
Ph.D.
Dissertation with Distinction, UCLA
1974
National
Endowment for the Humanities, Summer Stipend (research in
1979
Fulbright-Hays
International Exchange of Scholars Fellowship (
1979
1980
1980
Developing
Scholar Award, The Florida State University (research in
1982
COFRS
Award, The Florida State University (research in the
1985
1986
Sabbatical, Spring Semester (article preparation)
1987
President's Travel Grant (presentation and research
in
1988
President's Travel Grant (presentations in
1989
COFRS Award, The Florida State University (research
in
1991
Learning Systems Institute Grant, The Florida State
University (multicultural music education, "minority musics in
1993
COFRS Award, The Florida State University (research
in
1993
Sabbatical, Spring Semester (research in
1994
Council for Instruction, Planning Grant, The
1996
President's Travel Grant (concerts and research in
1996
Learning Systems Institute Grant, The Florida State
University (distance learning, "Music Cultures of the World")
1997
Distance Learning Grant, Provost, The
1998
COFRS Award, The Florida State University (research
in
1999
President's Award for Exemplary Use of Technology in
Instruction, The
1999
Provost's Travel Grant (conference and research in
2000
Council for Instruction Grant, The Florida State
University (distance learning, "Music Cultures of the World")
2001
Sabbatical
(research in
2001
Distinguished Research Professor Award, The
2002 (summer) Vietnam Program, The
Florida State University
Overseas Study Center (Director)
2004 (summer) Vietnam Program, The
Florida State University
Overseas Study Center
(Director)
2005-2006
John
Simon Guggenheim Memorial Fellowship Award
2006
(summer)
2007 (summer)
2008 (summer)
2009 Professor Emeritus Award
OFFICES
HELD
1981-1982
President, Southeast/Caribbean Chapter
of the Society for Ethnomusicology.
1984-1986
Member-at-large, Board of Directors,
Society for Ethnomusicology (national office)
1984-1986
Member, Council, Society for
Ethnomusicology (national office)
1986-1990
Member, Board of Directors,
1987-1989
President,
1988-1989
President, Southeastern/Caribbean
Chapter of the Society for Ethnomusicology
1991-1993
Secretary, Southeastern/Caribbean
Chapter of the Society for Ethnomusicology
1993-1997
President, Southeastern/Caribbean
Chapter of the Society for Ethnomusicology
1992-1995
Board Member for Ethnomusicology, The
College Music Society (national office)
1995-1997
First Vice President, Society for
Ethnomusicology (national office)
1998
President-Elect,
The College Music Society (national office)
1999-2000
President, The College Music Society
(national office)
2001
Immediate Past-President, The College
Music Society (national office)
EDITORIAL
EXPERIENCE
1987
Sounds of the
World. Volume editor for Music of
Latin America.
1989-1998
Garland Encyclopedia of World Music,
co-editor with
Daniel E. Sheehy of Vol. 2, "Music of
South America, Mexico, Central America, and the Caribbean."
1990-1994
Recording Review Editor, Ethnomusicology,
Journal of the Society for Ethnomusicology.
2000-2001
Garland Handbook of Latin American Music,
co-editor
with Daniel E. Sheehy.
2006-2007
Garland
Handbook of Latin American
Music, 2nd edition,
co-editor with Daniel E. Sheehy
PROFESSIONAL
SOCIETY MEMBERSHIP
(past and
present)
American
Musical Instrument Society
(AMIS)
College Music
Society (CMS)
International
Council for Traditional
Music (ITCM)
Society for
Asian Music (SAM)
Society for
Ethnomusicology (SEM)
Music
Educator's National Conference
(MENC)
American
Society for Technology in
Music Instruction (ATMI)
PROFESSIONAL
LECTURES AND WORKSHOPS (not including scholarly meetings
[see below], since promotion to full
professor)
1985 Summer
Institute for Teachers (Latin American music), Center for
Latin American Studies,
1986 Summer
Institute for Teachers (Latin American music), Center for
Latin American Studies,
1987 Symposium
on the Teaching of World Musics in the Undergraduate
Curriculum,
1988 Institute
for Music in General Studies (Latin American music),
College Music Society,
1990 Pre-conference
Symposium Workshop (teaching Latin American and
Caribbean musics) in Multicultural Music Education, Annual Meeting of
the Music
Educator's National Conference, Washington D.C., March.
1990 Workshop
in World Music (Andean music), University of Colorado,
Boulder, CO, July.
1990 Workshop
in Arts Education (Latin American and
1990 Workshop
for high school teachers (teaching African and
Afro-Cuban music),
1992 Consultant
and speaker to music faculty at
1992 Workshop
for high school teachers (teaching African and
Afro-Cuban music),
1993 “Ethnomusicology
and Latin American music.”
1993 "Music and
Shamanism in
1993 "The
Ethnomusicology of
1995 Director
of Workshop in World Music Performance (Brazilian samba,
1995 Master
of Ceremonies, "Music of the African Diaspora"
(From West Africa to the
1996 "Music
of the Warao of
1998 "Music
as Power Among the Warao of
1998 "Music
of the Rain Forest and Flutes of the World,"
Lecture Series, Atenisi Institute, Nuku'alofa,
2002
"The
Shakuhachi as a Research Tool among Japanese Immigrants in
2003
"Music
as Power in the Rain Forest,"
2003
"The
Music of
2003
"Music
of
2004
"Music
and Shamanism of the Warao,"
2007
“Music
and Shamanistic Healing among the Warao Indians of the Venezuelan
Rainforest.” The
Rey M. Longyear Lecture, Keynote Address for “A Day of Latin American
Music” Conference,
PARTICIPATION
AT SCHOLARLY MEETINGS (since promotion to full professor)
International Meetings
1985 "The
Flutes of
1986 "The
Pipers of
1986 "Flutes
of
1988 "Music
Technologies & Intellectual Implications in the
Pre-Columbian
1989 "Music as Music,
Dance as Dance Among the Warao of
1999 "Iwami Baikyoku
V: A Japanese Immigrant Composer and Master
Musician in
1999 "Keeping
Up Traditions, Breaking Down Barriers: A Century of
Nikkei (People of Japanese Heritage) Music in
2000 "Music
and Japanese Identity in
2001
"Internet-Based
Distance Learning, Instructional Design, and Interactivity: The
Asynchron
Instruction of a World Music Cultures Course on the Internet."
International Meeting of the College Music Society,
2001
"How
to Teach Irish Music Without Being a Specialist in Irish Music: World
Music
Instructional Design." International Conference of The College Music
Society,
2005
"'I
know how to sing and dance!' Spanish sesquiáltera
music/dance genres and their Latin American derivatives: indicators of
Spanish colonialism, musical syncretism, and
2007
“Female
Pop Singers, Sexuality, Goddess Cults, and the Politics of Neatness in
Twenty-first Century Vietnam.” International Conference of The College
Music
Society,
National Meetings
1973 "Music
and Shamanism of the Warao Indians of
1973 "Shamanistic
Curing Music of the Warao Indians of
1974 "Music-Induced
Altered States of Consciousness aong Warao Shamans and other Healers."
19th
Annual Meeting, Society for Ethnomusicology,
1976 "Shamanistic
Music as a Determinant of Ethnic Identification among some Northern
South
American Indian Cultures." 21st Annual Meeting, Society for
Ethnomusicology,
1981 "Music,
Cultural Identity, and Freedom of Expression among the Japanese and
their
Descendants in
1983 Discussant
for "The Music/Myth Nexus in Lowland
1984 "The Flutes of
1984 "A Japanese
Master Musician in a Brazilian Context."
29th Annual Meeting, Society for Ethnomusicology,
1986
"Ethnomusicology
in the
1987 "The
Ethnomusicology of Archaeology: A Model for Research in
Ethnoarchaeomusicology." 32nd Annual Meeting, Society for
Ethnomusicology,
November,
1988 "Usefulness of
Study Guides in Teaching World Music."
33rd Annual Meeting, Society for Ethnomusicology, October,
1988 "A Multicultural
Approach to the Teaching of World Music
Cultures." 33rd Annual Meeting, Society for Ethnomusicology,
1989
"Performing
Transplanted
1989 "Eurocentrism
versus Multiculturalism: Contemporary
Approaches to Teaching Music."32nd Annual Meeting of The College Music
Society
(CMS), in
1989 "Philosophy,
Organization, and Teaching Strategies for World
Music Courses." 32nd Annual Meeting of The College Music Society,
1990
Presentation,
"Teaching Hispanic American Music." Pre-conference Symposium on
Multicultural Music Education, Annual Meeting of the Music Educator's
National
Conference,
1990 "Panpipes of
1991 "World Music and
Ethnomusicology: Understanding the
Differences." 34th Annual Meeting of the College Music Society,
1992 Keynote
speaker at World Music Conference,
1992 "The
Ethnoarchaeomusicology of the Moche Native Americans
from the
1995 "...no es
música"--Karaoke, identity, and the teaching
of Japanese values through song among people of Japanese ancestry in
1998 "Music
Faculty in Higher Education." Music Educator's
1999 "Harps
of
1999
President's
Keynote Address, "The State of the Society." Annual Meeting, The
College
Music Society, Denver, CO, October
2000
President's
Keynote Address, "The State of the Society." Annual Meeting, The
College
Music Society,
2001 "Internet-Based
Distance Learning, Instructional Design, and
Interactivity: The Asynchronous Instruction of a World Music Cultures
Course on
the Internet." Technology in the Classroom and Beyond: Hypermedia,
Internet, and Other Electronic Resources. Annual Meeting,
Society for
Ethnomusicology,
2002
"Nobody
fishes until the pelican sings": Ancient ocarinas for supernatural
communication from the altar of a northern coastal shaman in
2002
"Teaching
Native American Music via Native American Pop". Annual Meeting of the
College Music Society,
2002
"Calling
the Spirits from the Mountains to the Sea: Ancient ocarinas for
supernatural
communication among the Moche of Peru." Annual Meeting, Society for
Ethnomusicology, Estes Park, CO, October.
2002 "’Nobody
fishes until the pelican sings’: Ancient ocarinas
for supernatural communication from the altar of a northern coastal
shaman in
2003
"Music
of
2004
Plenary
Session. "Ethnomusicology as Advocacy." Annual Meeting, Society for
Ethnomusicology,
2004
"Ethnomusicology
as Advocacy: One Approach for Addressing Cultural Survival through
Music."
Annual Meeting of the Society for Ethnomusicology,
2005
"Go
down, blood!"—Native rainforest music therapy among the Warao of
Venezuela." Annual Meeting, Society for Ethnomusicology,
Regional Meetings
1978 "Ethnomusicology
Studies in
1983 "Chinese
Musical Elements in the
1986
"Collecting
the Pieces of the Human Puzzle: Ethnomusicology and cultural heritage."
Basement
to Attic: Cultural Foundations and the Collection of Folklore,
a Florida
Folklife Council conference, co-sponsored by the Florida Folklore
Society,
Jacksonville, FL, Feb. 8.
1986 "The Pipers of
1989 "Latin
American and
1988 "Musical Change
in the Peruvian
1989 "Ethnomusicology
and Music History: Mendelssohn's Italian
Journey -- Field Work or 'A Runaway with the Rich and Famous?'" Joint
Annual Meeting of the Southern Chapter of the American Musicological
Society and
the Southeastern/Caribbean Chapter of the Society for Ethnomusicology,
1991 "Developing
World Music Ensembles at the University Level: An
Example from
1999
"Folklife
Academia in
1999 "Etruscan
Music: Threads of Continuity." The Religion
of the Etruscans. The Sixth Annual Langford Conference,
2003
"The
Music of
2004
"Music,
Memory, and Ingenuity: Pathways to Cultural Survival in Japanese
Diasporic
Subcultures in
2004
"Music
and Power among the Warao of the Venezuelan Rainforest," Amazon
Conference, FSU,
2007
“Female
Pop Singers, Sexuality, Goddess Cults, and the Politics of Neatness in
Twenty-first Century Vietnam.” Annual Meeting, Southeastern/Caribbean
Chapter
of the Society for Ethnomusicology,
2008
“Musicological
Research for Whom?—Knowing Other, Discovering Self, Making a
Difference.”
Keynote Address for the joint annual meeting of SEMSEC (The Society for
Ethnomusicology, Southeast/Caribbean Chapter) and AMS (American
Musicological
Society, Southern Chapter),
PUBLICATIONS (listed
chronologically by type)
Books
Doce
Conferencias en Etnomusicología
para Iniciar el Estudio de un Atlas Musical del Perú.Lima: Instituto
Nacional de Cultura,
Escuela Nacional de Música, 1979.
Music of
Musics of Many
Cultures: Study Guide
and Workbook (for
Musics of Many Cultures: An Introduction,
Music of the
Warao of
The
Music of
The
Chrysanthemum and the Song:
Music, Memory, and Identity in the South American Japanese Diaspora.
With compact disc materials on line.
Popular
Music
in
Chapters in Books and Encyclopedias
“Symbol and
Function in South
American Indian Music,” in Musics of Many Cultures: An
Introduction, edited
by
“Folk Music of
“The Flutes of
“The Magic
Flutes of El Dorado: A
Model for Research in Music Archaeology as Applied to the Sinú of
Ancient
Colombia,” in The Archaeology of Early Music Cultures, edited
by Ellen
Hickmann and David W. Hughes, Bonn: Verlag für systematische
Musikwissenschaft
GmbH (1988).
“Teaching our
Latin
American/Caribbean Musical Heritage,” with Selwyn Ahyoung, in An
Introduction to Multicultural Music Education: Global Perspectives in
Music, edited
by William Anderson and Patricia Shehan.
“Japan: music
traditions of overseas
communities of Japanese ancestry,” in Music Traditions of
Japan, Asia and
Oceania. Iwanami Series), edited by Gamô Satoaki, Hirano
Kenzi, Sibata
Minao, Tokumaru Yosihiko, Yamaguti Osamu, and Yokomiti Mario.
“Teaching the
Music of Hispanic
Americans,” in Teaching Music with a Multicultural Approach (book
with
video tape), edited by William M. Anderson.
“Music of the
Ancient
"Approaches to
Musical
Scholarship," in South America, Mexico, Central America, and
the
Caribbean, Vol. 2, Garland
Encyclopedia of World Music,
edited by Dale A. Olsen and Daniel E. Sheehy.
"Kogi," in South
America, Mexico, Central America, and the Caribbean, Vol. 2, Garland
Encyclopedia of World Music, edited by Dale A. Olsen and
Daniel E. Sheehy.
"Moxo," in South
America, Mexico, Central America, and the Caribbean, Vol. 2, Garland
Encyclopedia of World Music, edited by Dale A. Olsen and
Daniel E. Sheehy.
"Music of
Immigrant
Groups," in South America, Mexico, Central America, and the
Caribbean,
Vol. 2, Garland Encyclopedia of World Music,
edited by Dale A. Olsen
and Daniel E. Sheehy.
"Distribution,
Symbolism, and
Use of Musical Instrument," in South America, Mexico, Central
America,
and the Caribbean, Vol. 2, Garland
Encyclopedia of World Music,
edited by Dale A. Olsen and Daniel E. Sheehy.
"Surinam," in South
America, Mexico, Central America, and the Caribbean, Vol. 2, Garland
Encyclopedia of World Music, edited by Dale A. Olsen and
Daniel E. Sheehy.
"Tukano," in South
America, Mexico, Central America, and the Caribbean, Vol. 2, Garland
Encyclopedia of World Music, edited by Dale A. Olsen and
Daniel E. Sheehy.
"Warao," in South
America, Mexico, Central America, and the Caribbean, Vol. 2, Garland
Encyclopedia of World Music, edited by Dale A. Olsen and
Daniel E. Sheehy.
"Yanomamö," in South
America, Mexico, Central America, and the Caribbean, Vol. 2, Garland
Encyclopedia of World Music, edited by Dale A. Olsen and
Daniel E. Sheehy.
"Yekuana," in South
America, Mexico, Central America, and the Caribbean,Vol. 2, Garland
Encyclopedia of World Music, edited by Dale A. Olsen and
Daniel E. Sheehy.
"Music Faculty
Perspectives," in Music and American Higher Education.
"Globalization,
Culturation,
and Transculturation in American Music: From Cultural Pop to
Transcultural
Art," in Reflections on American
Music: The Twentieth Century and the New Millennium, James R.
Heintze and
Michael Saffle, eds., Monographs & Bibliographies in American
Music Series,
The College Music Society (Pendragon Press, 2000).
"Preface," in Reflections on American Music: The Twentieth
Century and the New Millennium, James R. Heintze and Michael
Saffle, eds.,
Monographs & Bibliographies in American Music Series, The
College Music
Society (Pendragon Press, 2000).
"Ethnomusicologists
at Work:
Dale A. Olsen," in World Music: General Perspectives, Vol.
10, Garland
Encyclopedia of World Music, edited by Ruth Stone.
"Music Alone Can Alter a Shaman's
Consciousness,
Which Itself Can Destroy Tape Recorders," in Shamans Through
Time: 500
Years on the Path to Knowledge. Eds. Jeremy Narby and Francis
Huxley.
"Keeping Up Traditions, Breaking
Down Barriers: A
Century of Nikkei (People of Japanese Heritage) Music in
"Aerophones of Traditional Use in
"Adaptations of musical forms and
genres
introduced by immigrant groups: the Japanese,” in Music
in
“Conclusion,” in The
“Cosmic Diplomacy and Celestial
Battles: Shamanism, Music, and
Healing in Two
Contrasting South American Cultural Areas,” in Oxford
Handbook of Medical
Ethnomusicology,
edited by Benjamin Koen (Oxford University Press, 2008).
Articles
“The Function
of Naming in the
Curing Songs of the Warao Indians of
“Music-Induced
Altered States of
Consciousness among Warao Shamans,” Journal of Latin American
Lore 1(1):19-33.Los
Angeles:
“Música
vesperal Mojo en San Miguel
de Isiboro,
“Musical
Instruments of the Native
Peoples of the
“Public
Concerts in Early
“Música
Japonesa del Shakuhachi:
Problemas de Lenguaje,” Boletín de la Sociedad Filarmónica de
Lima
2:9-11(Agosto 1979).
“Musicología,
Etnomusicología, y las
demas -ologías Musicales,” Boletín de la Sociedad Filarmónica
de Lima
3(Octubre 1979).
“Magical
Protection Songs of the
Warao, Part One: Animals,” Latin American Music Review
1(2):131-61(1980).
“Magical
Protection Songs of the
Warao, Part Two: Spirits,” Latin American Music Review 2(1):1-10(1981).
“Japanese Music
in
“The Concert
Halls of
“Japanese Music
in
“The Social
Determinants of Japanese
Musical Life in
“The Flutes of
“A Japanese
Master Musician in a
Brazilian Context,” Hôgaku 2(2):19-30(Winter 1986).
“The Peruvian
Folk Harp Tradition:
Determinants of Style,” Folk Harp Journal 53 (June
1986), 54 (Fall
1986), 55 (Winter 1986), 56 (Spring 1987), 57 (Summer 1987), 58 (Fall
1987),
and 59 (Winter 1987).
“Towards A
Musical Atlas of
“It is Time for
Another -Phone,” SEM
Newsletter 20:4 (September 1986).
“Latin American
and Caribbean Music
in South Florida,” Traditions: A Celebration of Latin
& Caribbean Music,
Publication of the South Florida Folklife Festival, sponsored by the
Historical
Association of Southern Florida, Miami (1988).
“The
Ethnomusicology of Archaeology:
A Model for the Musical/Cultural Study of Ancient Material Culture,” Selected
Reports in Ethnomusicology (Issues in Organology) 8:175-200
(1990).
“An
Introduction to Latin American
and
“Ethnomusicology
and World
Music--Understanding the Difference,” Newsletter of
the College Music
Society (May 1992).
“Southeastern
Native American Stomp
Dance,” in Chapter 4: Model Instructional Units, Multicultural
Arts
Education: Guidelines, Instructional Units and Resources for Art,
Dance, Music
and Theater. Grades K--12, pp. 86-97.Tallahassee: State of
“Multicultural
Music Education,
Cultural Sensitivity, and the Ethnographic Truth: A Response to
Cornelius,” in Symposium,
Journal of the College Music Society 35:33-34 (1995).
"The Complementarity and
Interdisciplinarity of
Archaeomusicology: An Introduction to the Field and this Volume," The World of Music 49(2):11-16 (2007).
Recordings and/or Liner Note Essays
Liner Notes for
“A Celebration of
South American Music,” in Alma del Sur. Compact
Disc, Narada (1992).
Cassette Tape. Koto
Compositions
of Elizabeth Falconer. “Kiro,” for shakuhachi and koto.
Cassette Tape
published in
Compact disc. Music
of the Warao
of
Liner Notes for
“Music of the
Record / Book / Video Reviews
Record Review
of “Music of the
Jívaro of
Record Review
of “Música Indígena
Makiritare,” Ethnomusicology 20(1):162-64 (January
1976).
Book Review of The
Sacred Harp: A
Tradition and its Music, by Buell E. Cobb, Jr., The
Record Review
of “Music from
Saramaka: A Dynamic Afro-American Tradition,” Latin American
Music Review 1(2):286-88
(1980).
Record Review
of “Selk'nam Chants of
Record Review
of “Soul Vine Shaman.
Sinchi Yachaj: Powerful Shaman of the
Record Review
of “Yanoama: Tecniche
Vocali Sciamanismo,” “Wayapi Guyane,” and “Music of the Haut Oyopok:
Oyampi and
Emerillon Indian Tribes,” Ethnomusicology
26(2):343-45 (1982).
Book Review of Voces
del
Purgatorio, by
Martha
Davis, Ethnomusicology 26(3):466-68 (1982).
Book Review of La
Música
Teúrgico-Mágica de los Indios Guaraos by Padre Basilio María
de Barral, Ethnomusicology
28(3):561-62 (1984).
Book Review of Music
and Poetry
in a
Record Review
of “Bolivien. Musik im
Andenhochland.Bolivia. Music in the Andean Highlands,” Yearbook(of
the
International Council for Traditional Music) 18:201-202 (1986).
Book Review of More
than
Drumming: Essays on African and Afro-Latin American Music and Musicians,
edited by Irene V. Jackson, Hispanic American Historical
Review (1986).
Record Review
of “
Book Review of Colección
de
Instrumentos Musicales, by José Egnacio Perdomo Escobar, and La
Música
de los Guahibo: Sikuani-Cuiba, by Benjamin Yépez Chamorro, Ethnomusicology
32(3):482-484 (Fall 1988).
Record Review
of Música Andina
del Peru, Archivo de Música Tradicional, Pontificia
Universidad Católica
del Peru, Yearbook(of the International Council for Traditional Music)
21:152-53 (1989).
Book Review of The
Music of
Record Review
of Música
Tradicional del Valle del Mantaro, Archivo de Música
Tradicional,
Pontificia Universidad Católica del Peru, Ethnomusicology
34(1):183-84
(1990).
Book Review of Second
Conference
of the ICTM Study Group on Music Archaeology, Volume I “General
Studies” and
Volume II “The Bronze Lurs, Ethnomusicology
34(1):167-170 (1990).
Record Review
of Música
Tradicionalde Cajamarca and Música
Tradicional del Valle de Calca, Archivo
de Música Tradicional, Pontificia Universidad Católica del Peru, Ethnomusicology35(2):307-09.
Record Review
of Brasil Central:
Chants et danses des Indiens Kaiapo, Archives
Internationales de musique
populaire, Ethnomusicology35(3):451-52 (1991).
Recording
Review of Huaynos &
Huaylas. The Real Music of
Book Review of Lessons
from the
World, by Patricia Shehan Campbell, Music Library
Notes(1992).
Book Review of The
Indispensable
Harp, by John M. Schechter, Music Library Notes(1993).
“Briefly
Noted,” Recording Reviews
of
Book Review of Musik
aus dem
Altertum der Neuen Welt, by Ellen Hickmann, Music
Library Notes(1993).
“Briefly
Noted,” Recording Reviews
of
Book Review of Keepers
of the
Sacred Chants: The Poetics of Ritual Power in an Amazonian Society, by
Jonathan D. Hill, Latin American Music Review 15(2):244-52
(1994).
Recording
Review of Música
Tradicional del Cusco and Música Tradicional de Lambayeque, Music
of the
World, Ltd., AMTA-5, Ethnomusicology 39(1):154-57
(1995).
Recording
Review of The Spirit
Cries: Music from the Rainforests of
Video Review of Qoyllur
Rit'i - A Woman's Journey (directed
by Gabriela Martinez Escobar, produced by Holly Wissler), Ethnomusicology
45/3:532-35
(2001)
Recording Review of "Jarana's
Four Aces (los cuatro ases de la jarana.) Vocal duets from the streets
of
Internet Materials
Music Cultures
of the
World with Dr. O. An online
course with streamed audio and video
materials.
Ethnomusicology as Advocacy. Music Cultural Survival Surveys. A series of music cultural introductions of societies in peril, in transition, or near extinction. Dale A. Olsen, ed. "Warao Indians of Venezuela" by Dale A. Olsen
Other Publications
"Into the
World," The
President's Comments, Newsletter of The College
Music Society, January
(1999).
"CMS: The
'Complementarity'
Music Society," The President's Comments, Newsletter
of The College
Music Society, March (1999).
"
"Globalization
and Speciesism:
Musical Thoughts for a Small World," The President's Comments, Newsletter
of The College Music Society, September (1999).
"Happy Fortieth
Anniversary!" The President's
Comments, Newsletter
of The College Music Society, November (1999).
"We are the Doctors" The President's
Comments, Newsletter
of The College Music Society, January (2000).
"A New Nationalism for a New
Millennium," The
President's Comments, Newsletter of The College
Music Society, March
(2000).
"Stages in Musical
Performance," The President's
Comments, Newsletter
of The College Music Society, May (2000).
"Understanding Other, Knowing Self: Kierkegaard,
Subjectivity, and Ethno
From the
Sound Up: Building World Music Ensembles in Public Places (book in progress).
World Flutes in Folktales, Myths, and other Stories of Magic and Power
The Joy of World Music Cultures: An Interactive Online Text-site (electronic book in progress).
Study Guide
and Workbook for "The Joy of World Music Cultures" (book in progress).
Music and Sojourning in
In the Fields of the Play of the Lord: Memoirs of a Christian Ethnomusicologist (book in progress).
EthnoMusicIconology: Cultural Significance of Musical Representation in Art and Artifact in a World Context (book in progress)